the house had a very strong
architectural flavor built in 1973 open
spaces big entertainment spaces the
openness of it was very very appealing
to me I had a very clear almost
immediate vision of what I wanted the
ultimate feel to be I had to respect the
architectural boundaries that I was
working within but I needed to bring my
antiquities so to speak my elements of
history to really make it mine I've
always been a visual person I would not
say that I've always known that I wanted
to do this kind of work but I think I've
been blessed or cursed with what one
might call it greedy eye if I don't
always have something new to look at I
become a little grumpy so I'm always
looking at things whether it's ugly
worn out distasteful spectacular it's
always feeding my emotion so when I'm
doing design work for my clients using
my eyes and my vision and my mental
repository things that I've looked at
always guides me
my favorite space to relaxing is
probably the living room because there's
a comfortable coach it's not a
structured environment there's
free-floating furniture that almost
borders on art pieces and then the
fireplace one of the reasons why about
the home in the first place was that it
had a working wood burning fireplace and
it became the starting point for the
rest of the house so there's a lot of
natural elements in here elements that
speak to a rural as opposed to an urban
setting and then the house demanded what
other pieces I should bring to it which
were a little more modern a little more
urban so it's quite a blend of both
scenarios on my trips overseas for work
I had seen a trend that had emerged in
Paris and that was sort of mosaics
bohemian qualities to hard surfaces in
particular tiles and Patricia aqualia
designed this tile background that was a
complexity of different colors and
elements together and stone tile had
this tile on display and I fell in love
with it when I thought of my design for
the kitchen I knew immediately that was
the tile I was going to use a lot of the
pieces were basically thieved for my
store so it became a new show space so
to speak for pieces that I loved
something I'll always make room for in
my home wherever I am is likely my
collection of books their historical
they represent a life in transition so
they change as you change and you have
an intimate relationship with them my
personal point of view on design begins
with the architecture because that's the
envelope that you're working within so
ultimately you have to respect that and
the hardest part was the compromise I
had to make in terms of space so
although the living room the lower
lounge the kitchen all integrate in a
very sort of illuminating way I did have
to compromise on my space in my master
bedroom and my ensuite the master
bedroom is not overly large and neither
was the ensuite and because of the multi
levels in the house I couldn't get space
from anywhere else so I adopted sort of
a theme that I had seen in higher-end
hotels which was integrating the ensuite
with the master bedroom I cheated and I
took out a wall and I made it part of
the closet space and I daringly stepped
the bathroom inside the master bedroom
and it worked I'm always changing things
and my personal spaces are never done I
sort of feel that you create a little
more energy when you move objects or
artwork around and I like to do that
it's fun it keeps things fresh so I
could describe my home in one
what would that be Wow
could I say multicultural I would say
that because number one it spans time
boundaries and number two because
there's elements in here from all over
the world I think it's a happy blend and
I would call it multicultural
you
Interior Design - Best Design Ideas For Split | Level Homes
Reviewed by laguenak
on
Juli 22, 2018
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